AOTEAROA ART FAIR 2025:
Eleanor Millard | Sound of the Coast
29/04/2025 - 04/05/2025
Find us at Booth 19 | Auckland/Aotearoa | 1 – 4 May 2025
Eleanor Millard’s landscapes arrest the speed of life. In her artworks, the furious pace of the everyday suddenly stops, and gives way to a painted meditation. “I try to paint the stillness of the now, with all of its sound,” Millard explains. “The sound of silence; the sound of stillness.”
Millard’s landscapes are personal—they represent places that the artist has been and paths that she has walked—yet their power resides in the fact that they hold a universal resonance. The artist’s brushstrokes pull into existence scenes that tug at our memory; they remind us of places that we’ve never seen, yet somehow know. This paradox sits at the heart of Millard’s forthcoming exhibition, Sound of the Coast, featuring at Aotearoa Art Fair 2025.
Her recent work presents two sides of the singular artist. Here, we find paintings that are calm, and considered, and paintings that are unhesitating and visceral. This first group of landscapes reflect the artist’s practice in its most sensitive and process-driven form. Layer upon layer of paint underpins these soft compositions, which blur the line between abstraction and representation. “I wet the paper and then I work on it, and then it has to dry and then I wet it again,” Millard recalls. “Timing, air temperature, weather – all of these things affect the work.” These landscapes are so delicately rendered that it almost feels as though they could wash away or dissolve before our eyes. Millard’s paintings are somehow able to capture a permanent expression of the land, in its most fleeting, ephemeral state.
In the second group of landscapes, the gentle brushstroke is replaced by a swifter, more urgent sequence of painterly marks. If Millard paints sound, then these works are the crescendo—bursting with raw vibrancy and energy. “These paintings come out really fast and then they are done,” Millard says. “I don’t know how long they take, because, when I am painting, time is irrelevant to my practice.” These artworks embody a collaboration between the artist of the past and an artist of the present, who both work across time, searching for a particular, intangible quality that sets their landscape apart.
Following the artist’s sell-out exhibition at Sydney Contemporary in 2022, Millard continues to push her practice, working sensitively and intuitively on paper, creating windows into worlds where imagery takes shape in minimal and abstracted forms.
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